「Fred Frith 75 LIVE」
●LIVE: Fred Frith (from NY|UK)
●TALK: Fred Frith, Ayako Mogi, Yu Morishita, ZAK, Kei Wakabayashi
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"If you haven't seen Fred's solo improvisations, you should see them. You should do whatever it takes to see him play live. It's one of the wonders of the world." - Marc Ribot
This visit to Japan, his first in eight years, was made possible to record sound for the video work "rereading forest" that video artist Ayako Mogi is producing at the Tokyo University Institute of Industrial Science memu earth lab. Therefore, in the first part, we will introduce the field research and recording that took place in Hokkaido the day before through a conversation between Fred and the production staff. In the second part, former WIRED editor-in-chief and Kokucho sha content director Kei Wakabayashi will interview Fred about his unique musical world. Afterwards, there will be a live set. Don't miss this rare opportunity to experience Fred's words and performance!
Multi-instrumentalist, composer, and improviser Fred Frith has been making noise of one kind or another for almost 50 years, starting with the iconic rock collective Henry Cow, which he co-founded with Tim Hodgkinson in 1968.Fred is best known as a pioneering electric guitarist and improviser, song-writer, and composer for film, dance and theater. Through bands like Art Bears, Massacre, Skeleton Crew, Keep the Dog, the Fred Frith Guitar Quartet and Cosa Brava, he has stayed close to his roots in rock and folk music while branching out in many other directions.Composing for dance throughout his long career, Fred has worked with Rosalind Newman and Bebe Miller in New York, François Verret and Catherine Diverrès in France, and Amanda Miller and the Pretty Ugly Dance Company over the course of many years in Germany, as well as composing for two documentary films on the work of Anna Halprin.Theater credits include the Creation Company in New York and François-Michel Pesenti’s Théâtre du Point Aveugle in Marseille, where he spent six months in 1990 working with “jeunes rockers en chômage des quartiers défavorisés” (young unemployed rock musicians from the ghettos) on the opera Helter Skelter.His compositions have been performed by ensembles ranging from Arditti Quartet and the Ensemble Modern to Concerto Köln and Galax Quartet, from the BBC Scottish Symphony Orchestra to ROVA and Arte Sax Quartets, from rock bands Sleepytime Gorilla Museum and Ground Zero to the Glasgow Improvisers’ Orchestra.Film music credits include the acclaimed documentaries Rivers and Tides, Touch the Sound and Leaning into the Wind, directed by Thomas Riedelsheimer, The Tango Lesson, Yes and The Party by Sally Potter, Werner Penzel’s Zen for Nothing, Peter Mettler’s Gods, Gambling and LSD, and the award-winning (and Oscar-nominated) Last Day of Freedom, by Nomi Talisman and Dee Hibbert-Jones.Fred has performed works by and sometimes alongside composers John Luther Adams, Gavin Bryars, Sylvie Courvoisier, Alvin Curran, George Lewis, René Lussier, Jose Maceda, Meredith Monk, Terry Riley, and Christian Wolff; improvised with Paolo Angeli, Lotte Anker, Derek Bailey, Chris Brown, Lol Coxhill, Chris Cutler, Janet Feder, Joëlle Léandre, Miya Masaoka, Phil Minton, Ikue Mori, Butch Morris, Bob Ostertag, Evan Parker, Zeena Parkins, and Camel Zekri, to name a few; collaborated with classical virtuosi Evelyn Glennie, Katia Labèque, Viktoria Mullova, and Werner Bärtschi; and—as session musician—recorded on albums by, for example, Brian Eno, The Residents, Robert Wyatt, The Swans, Violent Femmes, Material, Negativland, John Zorn, Matthew and the Unfortunates, and Half Japanese.
SUPER DOMMUNE
Naohiro Ukawa, who has an outstanding presence in the contemporary Japanese art scene, has now become a world-class legend, Mixrooffice (2006-2008), Japan's first live streaming studio "DOMMUNE", which opened in 2010 as a base for transmitting new culture with an eye to the era of Sosorganism! In the era when it was said to be the dawn of SNS, it suddenly appeared as "final media", boasting the overwhelming quality of the program and the number of viewers among the live streaming programs of Hyakka Ryoran, and since its opening, various guests from all over the world continue to exist as a unique cultural platform with each visit to Japan. It also influenced the London-based music channel BOILER ROOM, and DOMMUNE is also in charge of the Japan branch of BOILER ROOM TOKYO. In this way, it is no exaggeration to say that "DOMMUNE" has created almost all the templates of sound and art streaming, which are now full of the world, and culture streaming. Up to now, about 5,000 programs/approx. 10,000 hours/200 tera, over 100 million viewers, and in today's era of "broadcasting", "published" and "advertising" concepts and formats have failed, they have been experimenting with live video distribution and continue to innovate the possibilities of new visual communication day and night. Even now, its influence has not declined, and "DOMMUNE", which is engaged in UPDATE of culture day and night, has set the 10th anniversary of its opening as Chapter 2, aiming for UPDATE every day with the latest avant-garde technology! ! ! ! This is the evolutionary form of the final media "DOMMUNE" [SUPER DOMMUNE]!!
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SUPER DOMMUNE
現代日本のアートシーンの中でも際立った存在感を放つ宇川直宏が、今や世界的な伝説となった『Mixrooffice』(2006〜2008)の後、ソーソャルストリームの時代を見据えた新たな文化の発信拠点として、2010年に開局させた日本初のライブストリーミングスタジオ『DOMMUNE』!! SNSの夜明けと言われた時代に「ファイナルメディア」として忽然として現れ、百花繚乱のライブストリーミング番組の中でも、圧倒的な番組の質とビューワー数を誇り、開局以来、世界各国から様々なゲストが来日のたびに出演する唯一無二の文化プラットフォームとして存在し続けている。あのロンドンを拠点とするミュージックチャンネルBOILER ROOMにも影響を与え、BOILER ROOM TOKYOの日本支局もDOMMUNEが担当している。このように『DOMMUNE』は現在世界に溢れているサウンド&アートストリーミング、また、カルチャーストリーミングのほとんど全ての雛形を作ったと言っても過言ではない。現在まで9年間にわたって配信した番組は約5000番組 / 約10000時間 / 200テラ、トータル視聴者数一億を超え、従来の「放送」や「出版」そして「広告」という概念やそのフォーマットが破綻していく現代において、ライブにおける動画配信の実験を重ね、新たな視覚コミュニケーションの可能性を日夜革新的に炙り出し続けている。今もなおその影響力は衰えず、日夜文化のUPDATEを繰り広げている『DOMMUNE』が、開局10周年を第二章とし、最前衛テクノロジーと共に未来を見据えて日々UPDATEを図る!!!!!! これがファイナルメディア『DOMMUNE』の進化形態『SUPER DOMMUNE』だ!!!!!